![]() Latency compensated, click free bypass (i.e.Delta preview mode previews the difference between compressed and original signal.Advanced stereo linking options optimized for the stereo bus.“Crest factor” based control scheme offering independent release controls for peak and RMS events.Super fast, yet natural sounding compression.“Delta” oversampled signal path (bit transparent at 0dB gain reduction).64bit multi-rate processing structure for highest accuracy.This is the original! Key specs and features The concept is “proudly digital” in the sense that it doesn’t try to emulate any previously existing device. As such, it is perfectly suited to stereo bus compression as well as other critical applications. With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms. The plugin comes with a selection of presets to get you started or design your own from scratch.TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. The Firechild sounds great on anything from the Mix Bus, Mastering, Drums & Instruments to Vocals, etc. This gives the user a lot of choices in shaping and coloring the sound as they please. Modern Features in the plugin take it way beyond the originals by add adding a full side-chain section with Hp/ Lp filters( 24db/oct) and side-chain gain, as well as a mix knob for mixing the compressed signal with the non-compressed signal. A Knee control is also provided to further shape the compression characteristics. ![]() Featuring 6 Release modes, each carefully emulated & sampled from 4 different units each with slightly different electrical components or tubes with different stages of tube life. This is produced by actually sampling the real hardware units at multiple stages of gain and compression and implementing it using dynamic convolution technology. The 3 Tube models A/B/C can be driven hard at the input stage without hitting any compression as well, and along with the Bias control, can give the user various Tube Saturation colors, each distinct from the other. Our Plugin features not 1, but 4 models including a “clean version” – off mode for the convolution, which presents a “non-colored” compression characteristics version as well. The vintage units are variable-mu type compressors, which use the vacuum tubes for reduction of gain right in the audio signal path, (no re-routing to a compression circuit) Given its primary purpose as a protective device in broadcast or vinyl cutting environments, in which the limiter was required to catch any unwanted signal peaks reliably, these fast attack times were one of the compressors most important features. The Firechild aims to emulate the characteristics of the King of Compressors from the 1950s.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |